The Power Of Love Over Hate
Some people insist evidence-based art should be 100 percent peaceful and serene and without any reflections of human challenges or difficulties. Based on my physical recovery experience (2 major operations within 30 days and over a year to recover), I politely disagree.
In the recovery process, people need lots of rest and relaxation—but we also need to feel hope. We need to feel encouraged to overcome our difficulties, even when that means complete restoration, only certain improvements, or sadly even acceptance.
One way to see this overcoming in art is to see a challenge or negativity in the background of a work and then have the foreground colors and images overcome it.
Here’s another video clip with a painting that does just that.
Below the video you can read the—not so peaceful and serene—actual story behind this evidence-based work called The Power Of Love Over Hate.
Here’s the story behind this evidence-based work:
I got trained to paint when I was only 7/8 years old. Today when I paint, I still go to that childlike, very vulnerable, and authentic part of my being and channel my art outwards. I live a happy, minimalist lifestyle, so most of the time when creating florals, I paint lovely art for the health and healing of others; however, on the rare occasion, the negativity of our world invades and can be seen inside my work.
When I began this painting, I was invaded by a worker doing a minor repair in my home/studio who started talking radical politics and would just not shut up. In his many words I kept hearing this message: I hate this group. I hate that group. Did you know this racial group is to blame for this? Did you know that cultural group is to blame for that? You need to support my political guy. If you don’t support my political guy, there is something wrong with you. Are you my enemy? Are you one of us?
As I laid the background stems for this painting, I was still processing how negative and dangerous this seemingly everyday American citizen was, and it inadvertently came out in the overly dark blue stem color I selected and in the over-intensity of my strokes.
Loving and hating others are human choices, and as I continued to work on the canvas, I kept choosing colors and images that overpowered the negativity of the stems and reflected the beauty and THE POWER OF LOVE OVER HATE.